1 ‘the uniqueness of a work of art is inseparable from its being imbedded in the fabric of...

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1 The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely changeable.’ -Walter Benjamin, The work of art in the age of mechanical reproduction The liveable, The Disposable and The sustainable Modernity, liveability and Tradition in architecture and urban design ALIREZA SAGHARCHI RIBA, FRSA Twitter: @sagharchi Stanhope Gate Architecture & Urban Design

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Page 1: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

1‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this

tradition itself is thoroughly alive and extremely changeable.’ -Walter Benjamin, The work of art in the age of mechanical reproduction

The liveable, The Disposable and The sustainable

Modernity, liveability and Tradition in architecture and urban design

ALIREZA SAGHARCHI RIBA, FRSA Twitter: @sagharchi

Stanhope Gate Architecture & Urban Design

Page 2: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

LIVEABILITY, Modernity & TRADITION

Page 3: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

Homo Digitalis

LIVEABILITY, Modernity & TRADITION

Page 4: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

Frontispiece of Marc-Antoine Laugier: Esssai sur l’architecture 2nd ed. 1755 by Charles Eisen (1720 -1778). Allegorical engraving of the Vitruvian Primitive Hut

LIVEABILITY, Modernity & TRADITION

Page 5: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

LIVEABILITY, Modernity & TRADITION

Page 6: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

LIVEABILITY, Modernity & TRADITION

Page 7: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

LIVEABILITY, Modernity & TRADITION

Page 8: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

LIVEABILITY, Modernity & TRADITION

Q1: Which of these would you most want to see built on an urban street very near to where you or a close friend live? (order randomised in Pop-up Poll)

Page 9: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

LIVEABILITY, Modernity & TRADITION

Respondents most wanting to see built on an urban street very near to where you or a close friend live

Page 10: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

LIVEABILITY, Modernity & TRADITION

Evidence from formal surveys, 1967 – 2013 & 2001 census, %

Page 11: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

LIVEABILITY, Modernity & TRADITION

Pop-up poll I: Which of these would you most want to see built on an urban street very near to where you or a close friend live?

Victorian Style Housing built in 1999Georgian-inspired terrace

“New London Vernacular” housing just built “Innovative” housing just built

Page 12: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

LIVEABILITY, Modernity & TRADITION

Respondents most wanting to see built on an urban street very near to where you or a close friend live

Page 13: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

LIVEABILITY, Modernity & TRADITION

Page 14: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

LIVEABILITY, Modernity & TRADITION

Page 15: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

LIVEABILITY, Modernity & TRADITION

Page 16: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

LIVEABILITY, Modernity & TRADITION

Page 17: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

LIVEABILITY, Modernity & TRADITION

Framework for Future Proofing and Sustainable Development for Aluva Municipality

• Aluva, India, September 2014-Present

• A DFID Prosperity Fund project

• INTBAU partnered with Atkins and the British High Commission New Delhi

• 2 stakeholder workshops

• 1 skills training programme

• 21 suggested interventions inthe field of urban design

I N T B AU P r o j e c t s

Page 18: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

LIVEABILITY, Modernity & TRADITION

Page 19: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

Pune Urban Regeneration Charrette• Pune, India• Organised by INTBAU India• Developed proposals for the

regeneration of the urban corridor of the historic core of the city

• Assessed the vibrant old core and focused on site-specific concerns surrounding the depletion of heritage and rich traditional built environments in a rapidly-urbanising Indian city

• Involved local and international organisations, universities, professionals, and students

LIVEABILITY, Modernity & TRADITION

I N T B AU p r o j e c t s

Page 20: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

Mumbai Mills Design Workshop

• Organised by INTBAU India and INTACH (Indian National Trust for Art & Cultural Heritage)

• Prepared a strategy for the long-term sustainable development of the Mills district of the city

• Analysed the qualities of the vacant mill sites and associated workers' housing colonies

• Produced New Urbanism based proposals to preserve built heritage and ensure sustainable economic development

LIVEABILITY, Modernity & TRADITION

I N T B AU P r o j e c t s

Page 21: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

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Neighbourhood planning• Worked closely with over 50 communities developing Neighbourhood

Plans under the provisions of the Localism Act 2011 

Research• Pursuing knowledge, solutions, and best practices in building

communities.  

International Programmes• China, Sierra Leone, US, Galapagos, Jamaica, Haiti 

Education• Building Skills programme• MSc is sustainable Development at Oxford University• The Graduate Fellows Programme at the Foundation

Leading by Example• Princes Natural House• Arts and Craft House

LIVEABILITY, Modernity & TRADITION

T H E P R I N C E ’ S F O U N D AT I O N P r o j e c t s

Page 22: 1 ‘The uniqueness of a work of art is inseparable from its being imbedded in the fabric of tradition, this tradition itself is thoroughly alive and extremely

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Poundbury (Duchy of Cornwall)

• Central to the Duchy of Cornwall’s design and development work, Poundbury is the urban extension to the town Dorchester and is considered a pioneering example of urban development.

• Masterplanning and design at Poundbury seek to implement the principles expounded in HRH The Prince of Wales’ 1989 book A Vision of Britain.

• The total project area is 155 hectares, with building split into 4 separate phases.

• Development is due for completion in 2025, by which time Poundbury will include 2,200 homes.

• As at the beginning of 2013, there were 2,250 people living in Poundbury and 1,660 employed in 40 businesses.

• Poundbury showcases local and traditional materials, mixed uses, and pedestrian-friendly street design, and includes 35% social housing.

• The country’s first full-scale Anaerobic Digester and Biomethane-to-Grid Plant, provides renewable gas direct to the local community in Poundbury. At maximum capacity the plant will provide renewable gas for 56,000 new-build homes in the summer and 4,000 in the winter.

Jamaica (Rose Town project)

• The Prince’s Foundation has been involved in work in Rose Town, Jamaica since 2006 and has worked with international and local partners, including the Rose Town Benevolent Society, as well as the local community to formalise settlement and improve living conditions.

LIVEABILITY, Modernity & TRADITION

T H E P R I N C E ’ S F O U N D AT I O N P r o j e c t s