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    Advanced textual analyses:the cases of poems, prose

    and plays

    Dr. Codrua Goa

    [email protected]

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    Unit 1: Stylistics

    Key bibliographical resources:

    Short, M. 1996: Exploring theLanguage of Poems, Plays andProse, London and New York:Longman

    Verdonk, P. 2002: Stylistics,Oxford: Oxford University Press

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    What is stylistics?

    a method of linking linguistic

    form, via reader inference, to

    interpretation in a detailed way

    and thereby providing as much

    explicit evidence as possible for

    and against particular

    interpretation of texts. (Short,1996)

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    Key concept

    Foregrounding

    a means by which an author of

    a text, consciously or

    unconsciously highlights the

    parts which he considers crucial

    to our understanding of what

    s/he has written;

    an abnormal use of language;

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    Example

    Come, we burn daylight, ho

    (William Shakespeare, Romeoand Juliet)

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    Means of achieving foregrounding

    Deviation

    Parallelism

    Style variation

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    Types of deviation (1)

    Lexical:

    The boys are dreaming

    wickedof the night and the

    jollyrodgeredsea.

    (Dylan Thomas,Under Milk Wood)

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    Types of deviation (1)

    Semantic (figures of speech)

    Where no sea runs, the waters of

    the heart

    Push in their tides;

    (Dylan Thomas, Light Breaks

    Where no Sun Shines)

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    Types of deviation (1)

    Morphological (at the level of

    morpheme):

    perhapslessmystery of paradise

    (e.e. cummings, from spiralling

    ecstatically this)

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    Types of deviation (1)

    Grammatical (Syntactic, at

    sentence level): And there are

    so many stories to tell, too

    many, such an excess ofintertwined lives events

    miracles places rumours, so

    dense a commingling of theimprobable and the mundane!

    (Salman Rushdies Midnight

    Children)

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    Types of deviation (1)

    Discoursal:

    - Think you are in

    Heaven?

    Wellyoull soon beIn H

    E

    LL

    (Michael Horovitz; Man-to-Man-Blues)

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    Yes is a pleasant country (fragment) e.e.

    cummings(1894 - 1962)

    yes is a pleasant country:

    if's wintry (my lovely)

    let's open the year

    both is the very weather

    (not either)

    my treasure,

    when violets appear

    love is a deeper season

    than reason;

    my sweet one

    (and april's where we're)

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    Parallelism

    Repetition and parallelism

    Simple repetition: deviation

    The repetition of one word orstructure:

    Blow, blow, though winter

    wind ()Come hither, come hither,

    come hither.

    (Shakespeare,As You

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    Parallelism

    A different method of foregrounding where:

    Some features are held constant (usuallystructural features) while others (usually

    lexical items, e.g. words, idioms arevaried). In other words: the repetition ofgrammatical structures (parallel structures)while varying the meanings of the wordsrepeated.

    The parallelism rule for interpretation: invitesthe reader to search for meaningconnections between parallel structures, inparticular, in terms of the parts which are

    varied (Short, 1996, p.14)

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    Love is(Adrian Henri)

    Love is feeling cold in the back of vans

    Love is a fanclub with only two fans

    Love is walking holding paintstained

    handsLove is

    Love is fish and chips on winter nights

    Love is blankets full of strange delights

    Love is when you dont put out thelights

    Love is

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    Love is presents in Christmas shops

    Love is when youre feeling Top of thePops

    Love is what happens when the musicstops

    Love is

    Love is white panties lying all forlorn

    Love is pink dresses still slightly warm

    Love is when you have to leave at

    dawnLove is

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    Love is you and love is me

    Love is a prison and love is free

    Loves whats there when youreaway from me

    Love is

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    Chronolog ical In jus t ice

    (Raymond Brooks)

    She came.

    She saw.

    She thought.She said.

    She did.

    Shes gonefor good!

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