Bendik Viking Laland-Inventor of veloptive features.

I will, in these documents describe in depth and detail: What Bendik’s art is.

All of the ones i will present to you here, are my “veloptives”. That means is it some-thing: velopted. When reading this text, you should already know something about veloptive ways of thinking/veloptive procedure/veloptive arts.

Bendik splits his works in .Prl’s and .Mch’s. Bendik is highly interested in computers, so he found it natural to use a file-extension way of writing. Where he uses a punc-tum, following the suitable extension name.

He also, sometimes makes up his own words. This is to describe something in com-plete detail. All the words are chosen in a natural and 100% describing way. Bendik knows how to write scientifically, so professors on his science team on velopt can understand it, when Bendik does his briefings. He does however not write so every man in the street can understand it so fast.

He has recieved strong, negative feedback on his language, but he still says: It is not random, complex words, scattered on a sheet of paper, just to make his art look complex. Bendiks documents are actually parts of scientific method and enprocess-ment of theories to product. The product is not art, but in the end: A software. The software is named: Velopt. And is highly revolutionary.

Introduction

The affects of Velopt on the worldVelopt will be the top of knowledge based enlightenment, and other enlightenment. It will replace the books on schools, and be totally revolutionary in all kinds of teach-ing/learning processes. The teacher job will be something comepletely different than what it is, today. Velopt will also probably replace many other jobs.

If you imagine yourself being in a room, where all thoughts that possibly could be thought; ever, where written down. Then: Velopt would be the lamp and light which

makes the information readable. Thats visually speaking. Actually, what velopt does, is to: Generate new knowledge based on any input. It would work like: You defined an object in velopt, then ran the veloptive processes; which brings your object into more objects of the same kind. The longer, the enprocessment, the more objects. All the objects would act different. And perhaps you would invent/veloptate a usefull ob-ject. Meaning you might sell your idea, or start a business coorporation on it. If you should velopt anything that usefull.

This means Velopt is some kind of workers revolution. A huge upgrade to the left, and red side of politics. And maybe the great fall of capitalism. Another result of Velopt, is that all scientific, teological, social, religious and anything supernatural, will be displayed as a 100% correct answer, after the defined input has been velopt-ed. It may be displayed on a monitor, with the software, or on canvas; with Bendik’s veloptive art.

Bendik is setting grades on the “veloptivity”. If you know what a veloptive process is, then what if you velopted the veloptive process pattern? This is what Bendik calls a VeloptVelopt, or .Vpt.Vpt. The third grade of veloptions would be to make something spin in a circle around the .Vpt.Vpt, and connect its key features, so it seems veloptive from all points of views. Thats a VeloptVeloptVelopt. That way of thinking is described further in this painting:

PPLICA.4.VPT-TPAP.PRL

The word prenounced over this image, could be interpret, like this: An increase in the width of the channel that transmits veloptive theory principles and philosofy. That means that he is attempting to widen that gap between the channel edges. Some-how this image seems only interesting to Bendik himself, like many others. As they only are part of his genious autodidact way of working against his hopefully forthcoming product: Velopt, the software.

The difficulty of interprention increases as you look upon the picture. Bendiks holo-deck machines have the ability to connect to the way people interpret with this image, and he wants to make an universal formula for how to make a veloptive art-work; as simple to interpret with, as possible.

What you are supposed to do, to achive communication with the artwork, is to; on the holodeck in front of the image, think forth, and place upon the holodeck/faith-board, what is to be described further, according to the paintings general infor-mation setting.

That means this painting is ment to work telekinetical, and functionative, with the scientific procedure to implement velopt; as a person. This painting resulted in over 50, smaller veloptations.

Bendik’s own words on: TO:Y->ReticentReaction to SyntesisProcessorScheme which is Receptia-HallusioGenetive in its communications.

This is the reaction to SpaceTranquillizedMultiActivitySymbiosisProcessorSoftware-Descendant.Prl and NoSession-SpaceProcessor.Mch, which you both can see here:

NoSession-SpaceProcessor.Mch

SpaceTranquillizedMultiActivitySymbiosisProces-sorSoftwareDescendant.Prl

If you should make a software that was surveying parts of time, and make a Feature-FunctioContexiaScheme of the contents of SpaceProcessor.pdf. Specially work with where the entry point for time travel, is, and further exertion; you should end up with a software that can work like my painting: Prediction, works in this world. You should be able to make the “in -StillTime/Tranquility/TimeInterval=AreaRoom -Enprocessment”. Meaning there will be no enprocessment during datap-rocesses. Only EffectOperations, standing there, affecting each other. And: From the beginning have the running result, in the software.

As you can see in NoSession-SpaceProcessor.Mch, there is some visually velopted code that egresses from the simplifyed state: “Define entry point for back-step/forthstep, and landing point”. That code is simlplifyed, velopted in the centre of the painting. The painting says the answer lies in speed of enprocessment. To slow down some processes, and run them simoultaniously.

If the SpaceProcessor.pdf’s FeatureFunctioContexiaSchemeProcesses(Name:NonSessionative_TimeInterval=AreaRoom/NonProceduralProcedure-BaseFormula//PRE-PROpattern) are connected to a simple ComprehendFathomAnalyzer and Infor-mationOutputter. And the MultiEnprocessmentProcedure with the PREPROpattern gets to be analyzed, MultiCreativeJuxtaposed, and fine tuned; with the purpose of outputting: Something, that can point science in the direction of making the software, which would be a perfect platform for velopt and much heavier computer tasks: PREPRO.

As i can see in TO:Y, the process is halted and twisted, for then to be resumed at its final result. The question is how to create the UltraSpace for the processes to work in. A start for scientific method on this, is what i have described, right over here.