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“If” A+ Rudyard Kipling If you can keep your head when all about you Are losing theirs and blaming it on you; If you can trust yourself when all men doubt you, But make allowance for their doubting too: If you can wait and not be tired by waiting, Or, being lied about, don't deal in lies, Or being hated don't give way to hating, And yet don't look too good, nor talk too wise; If you can dream---and not make dreams your master; If you can think---and not make thoughts your aim, If you can meet with Triumph and Disaster And treat those two impostors just the same:. If you can bear to hear the truth you've spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to, broken, And stoop and build'em up with worn-out tools; “If” A+ If you can make one heap of all your winnings If you can count your blessings And risk it on one turn of pitch-and-toss, And risk it on something so miniscule And lose, and start again at your beginnings, And start over in stride And never breathe a word about your loss: And never complain about your failures If you can force your heart and nerve and sinew If you can keep your composure To serve your turn long after they are gone, To do something for the satisfaction o f yourself, And so hold on when there is nothing in you To carry on when all hope is gone Except the Will which says to them: "Hold on!" Except for your own charisma which drives you to move forward If you can talk with crowds and keep your virtue, Or walk with Kings---nor lose the common touch, If neither foes nor loving friends can hurt you,

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“If” A+

Rudyard Kipling

If you can keep your head when all about youAre losing theirs and blaming it on you;If you can trust yourself when all men doubt you,But make allowance for their doubting too:If you can wait and not be tired by waiting,Or, being lied about, don't deal in lies,Or being hated don't give way to hating,And yet don't look too good, nor talk too wise;

If you can dream---and not make dreams your master;If you can think---and not make thoughts your aim,If you can meet with Triumph and DisasterAnd treat those two impostors just the same:.If you can bear to hear the truth you've spokenTwisted by knaves to make a trap for fools,Or watch the things you gave your life to, broken,And stoop and build'em up with worn-out tools; “If” A+

If you can make one heap of all your winnings

If you can count your blessingsAnd risk it on one turn of pitch-and-toss,And risk it on something so miniscule And lose, and start again at your beginnings,And start over in strideAnd never breathe a word about your loss:And never complain about your failuresIf you can force your heart and nerve and sinewIf you can keep your composure To serve your turn long after they are gone,To do something for the satisfaction of yourself,And so hold on when there is nothing in youTo carry on when all hope is goneExcept the Will which says to them: "Hold on!"Except for your own charisma which drives you to move forward

If you can talk with crowds and keep your virtue,Or walk with Kings---nor lose the common touch,If neither foes nor loving friends can hurt you,If all men count with you, but none too much:If you can fill the unforgiving minuteWith sixty seconds' worth of distance run,Yours is the Earth and everything that's in it,And---which is more---you'll be a Man, my son!

24975gomez, 01/30/13,
You can control yourself
24975gomez, 01/30/13,
If you can keep calm and keep your opinions to yourself. Or walk with the rich-nor lose our personality. If neither enemies or loving friends can hurt you. If you have those friends who stay with you: if you can forgive and forget those regretful moments, and give yourself a moment to think and breathe. Them you’ll be a man.

“Invictus” B

William Ernest Henley

Out of the night that covers me,Black as the Pit from pole to pole,I thank whatever gods may beFor my unconquerable soul.

In the fell clutch of circumstanceI have not winced nor cried aloud.Under the bludgeonings of chanceMy head is bloody, but unbowed.

Beyond this place of wrath and tearsLooms but the Horror of the shade,And yet the menace of the yearsFinds, and shall find, me unafraid.

It matters not how strait the gate,How charged with punishments the scroll.I am the master of my fate:I am the captain of my soul.

“To the Virgins, to Make Much of Time” BRobert Herrick

Gather ye rosebuds while ye may,

Old Time is still a-flying;And this same flower that smiles today

Tomorrow will be dying.

The glorious lamp of heaven, the sun, The higher he's a-getting,

The sooner will his race be run, And nearer he's to setting.

That age is best which is the first, When youth and blood are warmer;But being spent, the worse, and worst

Times still succeed the former.

Then be not coy, but use your time, And while ye may, go marry;

For having lost but once your prime, You may forever tarry.

“Annabel Lee” A+

By Edgar Allan Poe

It was many and many a year ago,In a kingdom by the sea,

That a maiden there lived whom you may knowBy the name of Annabel Lee;

And this maiden she lived with no other thoughtThan to love and be loved by me.

I was a child and she was a child,In this kingdom by the sea:

But we loved with a love that was more than love--I and my Annabel Lee;

With a love that the winged seraphs of heavenCoveted her and me.

And this was the reason that, long ago,In this kingdom by the sea,

A wind blew out of a cloud, chillingMy beautiful Annabel Lee;

So that her highborn kinsman cameAnd bore her away from me,To shut her up in a sepulchreIn this kingdom by the sea.

The angels, not half so happy in heaven,Went envying her and me--

Yes!--that was the reason (as all men know,In this kingdom by the sea)

That the wind came out of the cloud by night,Chilling and killing my Annabel Lee.

But our love it was stronger by far than the loveOf those who were older than we--

Of many far wiser than we--And neither the angels in heaven above,

Nor the demons down under the sea,Can ever dissever my soul from the soul

Of the beautiful Annabel Lee:

For the moon never beams, without bringing me dreamsOf the beautiful Annabel Lee;

And the stars never rise, but I feel the bright eyesOf the beautiful Annabel Lee;

And so, all the night-tide, I lie down by the sideOf my darling--my darling--my life and my bride,

In her sepulchre there by the sea,In her tomb by the sounding sea.

"Tonight I Can Write the Saddest Lines" A+by Pablo Neruda

Tonight I can write the saddest lines

Write, for example,'The night is shatteredand the blue stars shiver in the distance.'

The night wind revolves in the sky and sings.

Tonight I can write the saddest lines.I loved her, and sometimes she loved me too.

Through nights like this one I held her in my armsI kissed her again and again under the endless sky.

She loved me sometimes, and I loved her too.How could one not have loved her great still eyes.

Tonight I can write the saddest lines.To think that I do not have her. To feel that I have lost her.

To hear the immense night, still more immense without her.And the verse falls to the soul like dew to the pasture.

What does it matter that my love could not keep her.The night is shattered and she is not with me.

This is all. In the distance someone is singing. In the distance.My soul is not satisfied that it has lost her.

My sight searches for her as though to go to her.My heart looks for her, and she is not with me.

The same night whitening the same trees.We, of that time, are no longer the same.

I no longer love her, that's certain, but how I loved her.My voice tried to find the wind to touch her hearing.

Another's. She will be another's. Like my kisses before.Her voide. Her bright body. Her inifinite eyes.

I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long.

Because through nights like this one I held her in my armsmy sould is not satisfied that it has lost her.

Though this be the last pain that she makes me sufferand these the last verses that I write for her.

“Puedo Escribir los Versos Más Tristes esta Noche” A+Pablo Neruda

Puedo escribir los versos más tristes esta noche.Escribir, por ejemplo : 'La noche está estrellada,y tiritan, azules, los astros, a lo lejos'.El viento de la noche gira en el cielo y canta.Puedo escribir los versos más tristes esta noche.Yo la quise, y a veces ella también me quiso.En las noches como ésta la tuve entre mis brazos.La besé tantas veces bajo el cielo infinito.Ella me quiso, a veces yo también la quería.Cómo no haber amado sus grandes ojos fijos.Puedo escribir los versos más tristes esta noche.Pensar que no la tengo. Sentir que la he perdido.Oir la noche immensa, más inmensa sin ella. Y el verso cae al alma como al pasto el rocío.Qué importa que mi amor no pudiera guardarla.La noche está estrellada y ella no está conmigo.Eso es todo. A lo lejos alguien canta. A lo lejos.Mi alma no se contenta con haberla perdido.Como para acercarla mi mirada la busca.Mi corazón la busca, y ella no está conmigo.La misma noche que hace blanquear los mismos arboles.Nosotros, los de entonces, ya no somos los mismos.Ya no la quiero, es cierto pero cuánto la quise.Mi voz buscaba el viento para tocar su oído.De otro. Será de otro. Como antes de mis besos.Su voz, su cuerpo claro. Sus ojos infinitos.Ya no la quiero, es cierto, pero tal vez la quiero.Es tan corto al amor, y es tan largo el olvido.Porque en noches como ésta la tuve entre mis brazos,mi alma no se contenta con haberla perdido.Aunque ésta sea el último dolor que ella me causa,y éstos sean los últimos versos que yo le escribo.

“Do Not Go Gentle Into that Good Night” A+Dylan Thomas

Do not go gentle into that good night,Old age should burn and rave at close of day;Rage, rage against the dying of the light.

Though wise men at their end know dark is right,Because their words had forked no lightning theyDo not go gentle into that good night.

Good men, the last wave by, crying how brightTheir frail deeds might have danced in a green bay,Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,And learn, too late, they grieved it on its way,Do not go gentle into that good night.

Grave men, near death, who see with blinding sightBlind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light.

And you, my father, there on the sad height,Curse, bless, me now with your fierce tears, I pray.Do not go gentle into that good night.Rage, rage against the dying of the light.

"Shall I compare thee to a summer's day? (Sonnet 18)" A 

by William Shakespeare 

Shall I compare thee to a summer's day?

Thou art more lovely and more temperate.

Rough winds do shake the darling buds of May,

And summer's lease hath all too short a date.

Sometime too hot the eye of heaven shines,

And often is his gold complexion dimmed;

And every fair from fair sometime declines,

By chance, or nature's changing course, untrimmed;

But thy eternal summer shall not fade,

Nor lose possession of that fair thou ow'st,

Nor shall death brag thou wand'rest in his shade,

When in eternal lines to Time thou grow'st.

     So long as men can breathe, or eyes can see,

     So long lives this, and this gives life to thee.

"My Papa's Waltz" Bby Theodore Roethke

The whiskey on your breathCould make a small boy dizzy;But I hung on like death:Such waltzing was not easy.

We romped until the pansSlid from the kitchen shelf;My mother's countenanceCould not unfrown itself.

The hand that held my wristWas battered on one knuckle;At every step you missedMy right ear scraped a buckle.

You beat time on my headWith a palm caked hard by dirt,Then waltzed me off to bedStill clinging to your shirt.

“Jabberwocky” Aby Lewis Carroll

'Twas brillig, and the slithy toves Did gyre and gimble in the wabe;All mimsy were the borogoves,And the mome raths outgrabe.

"Beware the Jabberwock, my son The jaws that bite, the claws that catch!Beware the Jubjub bird, and shun The frumious Bandersnatch!"

He took his vorpal sword in hand; Long time the manxome foe he sought—So rested he by the Tumtum tree, And stood awhile in thought.

And, as in uffish thought he stood, The Jabberwock, with eyes of flame,Came whiffling through the tulgey wood, And burbled as it came!

One, two! One, two! And through and through The vorpal blade went snicker-snack!He left it dead, and with its head He went galumphing back.

"And hast thou slain the Jabberwock? Come to my arms, my beamish boy!O frabjous day! Callooh! Callay!" He chortled in his joy.

'Twas brillig, and the slithy toves Did gyre and gimble in the wabe;All mimsy were the borogoves,And the mome raths outgrabe.

“The World is too Much with Us” A+

William Wordsworth

THE world is too much with us; late and soon,Getting and spending, we lay waste our powers:Little we see in Nature that is ours;We have given our hearts away, a sordid boon!This Sea that bares her bosom to the moon;The winds that will be howling at all hours,And are up-gathered now like sleeping flowers;For this, for everything, we are out of tune;It moves us not.—Great God! I'd rather beA Pagan suckled in a creed outworn;So might I, standing on this pleasant lea,Have glimpses that would make me less forlorn;Have sight of Proteus rising from the sea;Or hear old Triton blow his wreathèd horn.

“Road Less Travelled”ARobert Frost

Two roads diverged in a yellow wood,

And sorry I could not travel both

And be one traveler, long I stood

And looked down one as far as I could

To where it bent in the undergrowth;

Then took the other, as just as fair,

And having perhaps the better claim,

Because it was grassy and wanted wear;

Though as for that the passing there

Had worn them really about the same,

And both that morning equally lay

In leaves no step had trodden black.

Oh, I kept the first for another day!

Yet knowing how way leads on to way,

I doubted if I should ever come back.

I shall be telling this with a sigh

Somewhere ages and ages hence:

Two roads diverged in a wood, and I—

I took the one less traveled by,

And that has made all the difference.

“A Draught of Sunshine” AJohn Keats

Hence Burgundy, Claret, and Port, Away with old Hock and madeira, Too earthly ye are for my sport; There's a beverage brighter and clearer. Instead of a piriful rummer, My wine overbrims a whole summer; My bowl is the sky, And I drink at my eye, Till I feel in the brain A Delphian pain - Then follow, my Caius! then follow: On the green of the hill We will drink our fill Of golden sunshine, Till our brains intertwine With the glory and grace of Apollo! God of the Meridian, And of the East and West, To thee my soul is flown, And my body is earthward press'd. - It is an awful mission, A terrible division; And leaves a gulph austere To be fill'd with worldly fear. Aye, when the soul is fled To high above our head, Affrighted do we gaze After its airy maze, As doth a mother wild, When her young infant child Is in an eagle's claws - And is not this the cause Of madness? - God of Song, Thou bearest me along Through sights I scarce can bear: O let me, let me share With the hot lyre and thee, The staid Philosophy. Temper my lonely hours, And let me see thy bowers More unalarm'd!

“Phenomenal Woman” A+May Angelou

Pretty women wonder where my secret lies.I'm not cute or built to suit a fashion model's sizeBut when I start to tell them,They think I'm telling lies.I say,It's in the reach of my armsThe span of my hips,The stride of my step,The curl of my lips.I'm a womanPhenomenally.Phenomenal woman,That's me.

I walk into a roomJust as cool as you please,And to a man,The fellows stand orFall down on their knees.Then they swarm around me,A hive of honey bees.I say,It's the fire in my eyes,And the flash of my teeth,The swing in my waist,And the joy in my feet.I'm a womanPhenomenally.Phenomenal woman,That's me.

Men themselves have wonderedWhat they see in me.They try so muchBut they can't touchMy inner mystery.When I try to show themThey say they still can't see.I say,It's in the arch of my back,The sun of my smile,The ride of my breasts,The grace of my style.I'm a woman

Phenomenally.Phenomenal woman,That's me.

Now you understandJust why my head's not bowed.I don't shout or jump aboutOr have to talk real loud.When you see me passingIt ought to make you proud.I say,It's in the click of my heels,The bend of my hair,the palm of my hand,The need of my care,'Cause I'm a womanPhenomenally.Phenomenal woman,That's me.

“Mother to Son” BLangston Hughes

Well, son, I'll tell you:Life for me ain't been no crystal stair.It's had tacks in it,And splinters,And boards torn up,And places with no carpet on the floor—Bare.But all the time I'se been a-climbin' on,And reachin' landin's,And turnin' corners,And sometimes goin' in the darkWhere there ain't been no light.So, boy, don't you turn back.Don't you set down on the steps.'Cause you finds it's kinder hard.Don't you fall now—For I'se still goin', honey,I'se still climbin',And life for me ain't been no crystal stair.

“Because I could not stop for Death” A  by Emily Dickinson

Because I could not stop for Death – He kindly stopped for me –  The Carriage held but just Ourselves –  And Immortality.

We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility – 

We passed the School, where Children stroveAt Recess – in the Ring –  We passed the Fields of Gazing Grain –  We passed the Setting Sun – 

Or rather – He passed us – The Dews drew quivering and chill – For only Gossamer, my Gown – My Tippet – only Tulle – 

We paused before a House that seemedA Swelling of the Ground – The Roof was scarcely visible – The Cornice – in the Ground – 

Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' Heads Were toward Eternity – 

“Still I Rise” A+  by Maya Angelou

You may write me down in historyWith your bitter, twisted lies,You may trod me in the very dirtBut still, like dust, I'll rise.

Does my sassiness upset you?Why are you beset with gloom?'Cause I walk like I've got oil wellsPumping in my living room.

Just like moons and like suns,With the certainty of tides,Just like hopes springing high,Still I'll rise.

Did you want to see me broken?Bowed head and lowered eyes?Shoulders falling down like teardrops,Weakened by my soulful cries?

Does my haughtiness offend you?Don't you take it awful hard'Cause I laugh like I've got gold minesDiggin' in my own backyard.

You may shoot me with your words,You may cut me with your eyes,You may kill me with your hatefulness,But still, like air, I'll rise.

Does my sexiness upset you?Does it come as a surpriseThat I dance like I've got diamondsAt the meeting of my thighs?

Out of the huts of history's shameI riseUp from a past that's rooted in painI riseI'm a black ocean, leaping and wide,Welling and swelling I bear in the tide.

Leaving behind nights of terror and fearI riseInto a daybreak that's wondrously clearI riseBringing the gifts that my ancestors gave,I am the dream and the hope of the slave.I rise

I riseI rise.

“Casey at the Bat” A+

Ernest Lawrence Thayer

The outlook wasn't brilliant for the Mudville nine that day:

The score stood four to two, with but one inning more to play,

And then when Cooney died at first, and Barrows did the same,

A pall-like silence fell upon the patrons of the game.

A straggling few got up to go in deep despair. The rest

Clung to the hope which springs eternal in the human breast;

They thought, "If only Casey could but get a whack at that—

We'd put up even money now, with Casey at the bat."

But Flynn preceded Casey, as did also Jimmy Blake,

And the former was a hoodoo, while the latter was a cake;

So upon that stricken multitude grim melancholy sat,

For there seemed but little chance of Casey getting to the bat.

But Flynn let drive a single, to the wonderment of all,

And Blake, the much despisèd, tore the cover off the ball;

And when the dust had lifted, and men saw what had occurred,

There was Jimmy safe at second and Flynn a-hugging third.

Then from five thousand throats and more there rose a lusty yell;

It rumbled through the valley, it rattled in the dell;

It pounded on the mountain and recoiled upon the flat,

For Casey, mighty Casey, was advancing to the bat.

There was ease in Casey's manner as he stepped into his place;

There was pride in Casey's bearing and a smile lit Casey's face.

And when, responding to the cheers, he lightly doffed his hat,

No stranger in the crowd could doubt 'twas Casey at the bat.

Ten thousand eyes were on him as he rubbed his hands with dirt;

Five thousand tongues applauded when he wiped them on his shirt;

Then while the writhing pitcher ground the ball into his hip,

Defiance flashed in Casey's eye, a sneer curled Casey's lip.

And now the leather-covered sphere came hurtling through the air,

And Casey stood a-watching it in haughty grandeur there.

Close by the sturdy batsman the ball unheeded sped—

"That ain't my style," said Casey. "Strike one!" the umpire said.

From the benches, black with people, there went up a muffled roar,

Like the beating of the storm-waves on a stern and distant shore;

"Kill him! Kill the umpire!" shouted someone on the stand;

And it's likely they'd have killed him had not Casey raised his hand.

With a smile of Christian charity great Casey's visage shone;

He stilled the rising tumult; he bade the game go on;

He signaled to the pitcher, and once more the dun sphere flew;

But Casey still ignored it and the umpire said, "Strike two!"

"Fraud!" cried the maddened thousands, and echo answered "Fraud!"

But one scornful look from Casey and the audience was awed.

They saw his face grow stern and cold, they saw his muscles strain,

And they knew that Casey wouldn't let that ball go by again.

The sneer is gone from Casey's lip, his teeth are clenched in hate,

He pounds with cruel violence his bat upon the plate;

And now the pitcher holds the ball, and now he lets it go,

And now the air is shattered by the force of Casey's blow.

Oh, somewhere in this favoured land the sun is shining bright,

The band is playing somewhere, and somewhere hearts are light;

And somewhere men are laughing, and somewhere children shout,

But there is no joy in Mudville—mighty Casey has struck out.

“The Raven” A+ by Edgar Allan Poe

Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. "'Tis some visitor," I muttered, "tapping at my chamber door - Only this, and nothing more."

Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; - vainly I had sought to borrow From my books surcease of sorrow - sorrow for the lost Lenore - For the rare and radiant maiden whom the angels name Lenore - Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain Thrilled me - filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, "'Tis some visitor entreating entrance at my chamber door - Some late visitor entreating entrance at my chamber door; - This it is, and nothing more."

Presently my soul grew stronger; hesitating then no longer, "Sir," said I, "or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"- here I opened wide the door; - Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortals ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore!" - Merely this, and nothing more.

Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. "Surely," said I, "surely that is something at my window lattice: Let me see, then, what thereat is, and this mystery explore - Let my heart be still a moment and this mystery explore; - 'Tis the wind and nothing more."

Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door - Perched upon a bust of Pallas just above my chamber door - Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore. "Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient raven wandering from the Nightly shore - Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore."

Much I marvelled this ungainly fowl to hear discourse so plainly, Though its answer little meaning- little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blest with seeing bird above his chamber door - Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore."

But the raven, sitting lonely on the placid bust, spoke only That one word, as if his soul in that one word he did outpour. Nothing further then he uttered- not a feather then he fluttered - Till I scarcely more than muttered, "other friends have flown before - On the morrow he will leave me, as my hopes have flown before." Then the bird said, "Nevermore."

Startled at the stillness broken by reply so aptly spoken, "Doubtless," said I, "what it utters is its only stock and store, Caught from some unhappy master whom unmerciful Disaster Followed fast and followed faster till his songs one burden bore - Till the dirges of his Hope that melancholy burden bore Of 'Never - nevermore'."

But the Raven still beguiling all my fancy into smiling, Straight I wheeled a cushioned seat in front of bird, and bust and door; Then upon the velvet sinking, I betook myself to linking Fancy unto fancy, thinking what this ominous bird of yore - What this grim, ungainly, ghastly, gaunt and ominous bird of yore Meant in croaking "Nevermore."

This I sat engaged in guessing, but no syllable expressing To the fowl whose fiery eyes now burned into my bosom's core; This and more I sat divining, with my head at ease reclining On the cushion's velvet lining that the lamplight gloated o'er, But whose velvet violet lining with the lamplight gloating o'er, She shall press, ah, nevermore!

Then methought the air grew denser, perfumed from an unseen censer Swung by Seraphim whose footfalls tinkled on the tufted floor. "Wretch," I cried, "thy God hath lent thee - by these angels he hath sent thee Respite - respite and nepenthe, from thy memories of Lenore:Quaff, oh quaff this kind nepenthe and forget this lost Lenore!" Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil! - prophet still, if bird or devil! - Whether Tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted -

On this home by horror haunted- tell me truly, I implore - Is there - is there balm in Gilead? - tell me - tell me, I implore!" Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil - prophet still, if bird or devil! By that Heaven that bends above us - by that God we both adore - Tell this soul with sorrow laden if, within the distant Aidenn, It shall clasp a sainted maiden whom the angels name Lenore - Clasp a rare and radiant maiden whom the angels name Lenore." Quoth the Raven, "Nevermore."

"Be that word our sign in parting, bird or fiend," I shrieked, upstarting - "Get thee back into the tempest and the Night's Plutonian shore! Leave no black plume as a token of that lie thy soul hath spoken! Leave my loneliness unbroken!- quit the bust above my door! Take thy beak from out my heart, and take thy form from off my door!" Quoth the Raven, "Nevermore."

And the Raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon's that is dreaming, And the lamplight o'er him streaming throws his shadow on the floor; And my soul from out that shadow that lies floating on the floor Shall be lifted - nevermore!