Dr. Dolleen Tisawii’ashii ManningToronto, ON, CANADA(C) 647-870-8002

Citizenship: Anishinaabe, Kettle and Stoney First Nation.

AREAS OF SPECIALIZATION: Indigenous epistemology, specifically Ojibwe Anishinaabe mnidoo (other-than-human) ontology and interrelational philosophy; Phenomenology; Critical Theory; and Art.

EDUCATIONPhD. Centre for the Study of Theory & Criticism, Western University, London, ON, Feb. 2018. Dissertation: Mnidoo-Worlding: Merleau-Ponty and Anishinaabe Philosophical Translations. Supervisors: Helen Fielding and Antonio Calcagno, Cultural Advisor: Elder Mona Stonefish (Bear clan).

MA, Centre for the Study of Theory and Criticism, University of Western Ontario, London, ON, 2005.Thesis: The Give: Hunting for Moose in the Mouth of Nothingness (An Anishinaabe Philosophy of Slips, Slides and Simultaneity).

MFA, School of Contemporary Art, Simon Fraser University, Burnaby, BC, 1997.Thesis: Two multimedia art installations. The Ground Spinning Beneath Us Goes on Talking, and I have Become So Many Photographs. Burnaby Art Gallery. External examiner: Faye HeavyShield.

BFA Honours, Fine Arts, University of Windsor, ON, 1994.

PROFESSIONAL POSITIONSAnishinaabe Imaging Practices: Intuiting Other-than-Human Spheres, SSHRC Postdoctoral Fellow, Department of Philosophy (Environmental Justice & Ethics) & the Department of Community Sustainability, Supervisor: Kyle Whyte. Michigan State University, MI, USA, Sept 2018 - August 2020.

Imaging consciousness—Dreaming Shifting Worlds. International Institute for Critical Studies in Improvisation, Postdoctoral Researcher, McGill University, Department of Philosophy and Institute for the Public Life of Art and Ideas, Supervisor: Eric Lewis, Montreal, QC, Dec 2017 - Aug 2018.

Visiting Professor, Institute for Gender, Sexuality and Feminist Studies, McGill University, Fall 2016-17.

Assistant Professor, Indigenous Visual Culture Program. Ontario College of Art and Design University (OCAD U). Toronto, ON, 2015-2016.

Lecturer, Department of Visual Arts and First Nations Studies, University of Western Ontario, 2004-09.

PUBLICATIONSRefereed BooksManning, Dolleen (Ed.) Gashka’oode. Exhibition Catalogue, London ON: Forest City Gallery, 2014.

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Refereed Book Chapters and Invited ArticlesInvited book chapter for proposed anthology, Life in Art, Phenomenology, Aesthetics, and Identity [tentative book title]. Eds., Mariana Ortega and Helen Fielding (work in progress).

Manning, Dolleen Tisawii’ashii. “The Murmuration of Birds: An Anishinaabe Ontology of Mnidoo-Worlding.” Feminist Phenomenology Futures, Eds. Helen Fielding and Dorothea Olkowski. Bloomington IN: Indiana University Press (Fall 2017).

Manning, Dolleen Tisawii’ashii. “The Becoming Human of Buffalo Bill.” Intensities and Lines of Flight: Deleuze/ Guattari and the Arts. Eds. Antonio Calcagno, Jim Vernon, and Steve Lofts. London: Rowman and Littlefield, 187-206, 2014.

Manning, Dolleen Tisawii’ashii. “Thought Exiled from the Tongue.” Audio installation with sculptural images. Creativity in Exile. Ed. Michael Hanne. Amsterdam/ New York: Rodopi, 2004.

Contributor. “Past, Present, and Future: Seven Design and Craft Experts Contemplate Various Themes that Coalesce in Today’s Objects and Practices” Studio Magazine – Craft and Design in Canada, Spring/Summer 2017 – Vol 12, no 1.

Refereed ArticlesManning, Dolleen Tisawii’ashii. “The Fifth Direction: The Political Art of Ron Noganosh.” Developing Dialogues, JNAAG blogspot, invited exhibition essay of Eleven Times Eleven / Peyakosâpwâw, curated by Jason Baerg, presented by Judith & Norman ALIX Art Gallery, Sarnia. Web Publication. Aug 6, 2014. http://developingdialoguesjnaag.blogspot.ca/2014/08/the-fifth-direction-political-art-of.html

Manning, Dolleen Tisawii’ashii. “Entangled: Thrown Down and in Relation.” Gashka’oode. Ed. Dolleen Manning. Exhibition Catalogue. London ON: Forest City Gallery, 9-19, 2014.

Manning, Dolleen Tisawii’ashii. “Anishinaabemwin the Original Language.” In Poetics of Exile Conference: Abstracts. University of Auckland, New Zealand, 2003.

Manning, Dolleen Tisawii’ashii. “And the Ground Spinning Beneath Us Goes on Talking.” In Tracing Cultures, exhibition catalogue, Burnaby, BC: Burnaby Art Gallery, 1997.

AWARDS, SCHOLARSHIPS & GRANTSAcademic Merit ScholarshipsPostdoctoral Fellowship, $81,000 (SSHRC) 2018-20.

Postdoctoral Fellowship, International Institute for Critical Studies in Improvisation (IICSI) $40,500. McGill University, SSHRC Partnership Grant, 2017-18.

Vanier Canadian Graduate Scholarship, $150,000 (SSHRC) 2010-13.

Ontario Graduate Scholarship, $15,000 (declined - OGS) 2010-11.

Ontario Graduate Scholarship, $15,000 (accepted - OGS) 2009-10.

Theory Centre Award of Excellence, $7,000, Western University, London, ON, 2009-10.

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Special University Scholarship, $6,500 Western University, London, ON, 2004.

Special University Scholarship, $6,500 Western University, London, ON, 2002.

C.D. Nelson Memorial Graduate Scholarship, $16,000 Simon Fraser University, Burnaby, BC, 1994.

Research Grants Co-investigator and Co-stream Lead of Cultivating the Arts Stream. Bodies in Translation: Activist Art, Technology & Access to Life (BIT). Co-PI’s: Carla Rice (Guelph) and Eliza Chandler (Ryerson). SSHRC Partnership Grant, ($2.5 million), June 2016 - 2023.

Co-Principle Investigator. Bodies-in-Relation with All-my-Relations Colloquium-Workshop. With Mary Bunch. (SSHRC Bodies in Translation subgrant $10,000), TBD, Fall 2021.

Co-Principle Investigator. Fracturing the Political Imaginary: Disability and other Embodied Disturbances Colloquium-Workshop. With Mary Bunch. (SSHRC Bodies in Translation subgrant $10,000), York University, Toronto, ON, Spring 2020.

Collaborator. Cripping the Arts Symposium. Principal Investigator Eliza Chandler. SSHRC Connections Grant $25,000), Toronto Harbourfront, January 2020.

Community/ Academic ScholarshipsAward for Excellence, $4,000 Casino Rama Corporate Sponsor, Orillia, ON, 2014.

Award for Excellence, $2,500 Casino Rama Corporate Sponsor, Orillia, ON, 2004.

Scholastic Achievement Award, $1,500 First Nations Secretariat, London, ON, 1997.

Curatorial GrantsAboriginal Curatorial Projects, Ontario Arts Council, $27,000 Forest City Gallery, London, ON, 2013-14.

Residency Program Scholarship (curatorial research) $5,600 Banff Centre for the Arts, Banff, AB, 2011.

Studio Arts Grants and AwardsCreation/ Production Grant, $5,000 Canada Council for the Arts, Ottawa, ON, 2000.

Exhibition Assistance Grant, $2,000 Canada Council for the Arts, Ottawa, ON, 1997.

Project Assistance Grant, $1,800 Video-Inn Studios, Vancouver, BC, 1997.

Exhibition Assistance Grant, $2,000 Ontario Arts Council, Toronto, ON, 1995.

Project Assistance Grant, $2,000 Simon Fraser University, Burnaby, BC, 1995.

Visual Arts Emerging Artist Grant, $3,000 Ontario Arts Council, Toronto, ON, 1994.

Sculpture Award, Lambton Regional Gallery, Sarnia, ON, 1993.

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Visual Arts ScholarshipsVisual Arts Scholarship, $2,000 Canadian Native Arts Foundation, Toronto, ON, 1997.

Senior Scholarship (for Graduate students), $3,000 British Columbia Arts Council, Victoria, BC, 1996.

Visual Arts Scholarship, $2,000 Canadian Native Arts Foundation, Toronto, ON, 1994.

Hellen Veldora Bowlby Scholarship in Fine Arts, University of Windsor, ON, 1993.

Mary Demarco Scholarship in Visual Arts, University of Windsor, ON, 1992.

Refereed Conference Papers“Indinawemaaganidog [Nii kina ganaa]: Translating Anishinaabe & Haudenosaunee Interrelationality through Art & Everyday Practice.” Speech Acts and Joyous Utterances: Translating, Teaching, Learning and Living Indigenous Tribalographies Conference. Jackman, University of Toronto, June 19-22, 2014.

“Queering Settler Spectacles: An Indigenous Critique of Post-(De)humanism.” After Queer, After Humanism Symposium, Rice University, Houston Texas, USA, Sept 15-16, 2012.

“The ‘Becoming Human’ of Buffalo Boy and Belle Sauvage.” Connect, Continue, Create: 3rd International Deleuze Studies Conference, Amsterdam, Netherlands, July 12-14, 2010.

“Following Derrida(’s)… Cat.” 2nd ‘Derrida Today’ Conference, British Academy, London, UK, July 19 - 21, 2010.

“Breaching the Contract: Performativity After Contact (An Ojibwe Story).” Performativity after Deconstruction, Kingston University London, Kingston, UK, June 29-30, 2010.

“Framing the Flaw: Intersubjectivity and the Ojibwe/Western Encounter.” Thinking (With)Out Borders II: St Andrews International Political Theory Conference, University of St Andrews, UK, July 11-2, 2010.

“An Ojibwe First Nations Epistemology of Performance and Oral History,” Oral History and Performance Conference, Columbia University, New York, USA, March 14-15, 2008.

“Pseudonym: Elusive Remainders in a Practice of Performative Silent Theatre,” International Symposium on the Arts in Society, New York University, USA, February 23-25, 2007.

“Anishinaabemwin the Original Language,” paper presented in absentia at The Poetics of Exile Conference, University of Auckland, NZ, July 17-19, 2003.

“Ojibwe Oral Storytelling Traditions: Time, Memory and the Impossible Limit,” 35th Algonquian Conference, Western University, London, ON, Oct 23-26, 2003.

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Keynote AddressReverberating Frequencies—Embodied Ciphers. Annual conference of the Canadian Association for Theatre Research (CATR), Isabel Bader Centre for Performing Arts, Queen’s University, Kingston ON, May 29, 2018. https://www.youtube.com/watch?v=ZCCz2B1eBMk (33:20 to 1:20 min).

Invited SpeakerSomatic Telecommunication / Mnidoo Receptivity. Voices on Campus Lecture Series, American Indian and Indigenous Studies (AIIS), Michigan State University, East Lansing, MI, USA, April 12, 2019.

Cripping the Arts, Disability Futures 2019 Symposium. Panel organized by Eliza Chandler and Lindsay Fisher of Creative Users Projects. Panel members: Loren Delaney, Leroy Moore & Dolleen Manning. Moderated by Elwood Jimmy. Toronto Harbourfront, January 25, 2019.

Anishinaabe Temporal Confluence. Native Performance Culture and the Rhythm of (Re)conciliation: Re-membering Ourselves in Deep Time. Jackman Humanities Institute Working Group, University of Toronto, Toronto ON, Spring 2019 (tbd).

Bending Time/Space: Anishinaabe Physics and Embodied Consciousness. Department of Philosophy Colloquium Talk, Michigan State University, East Lansing, MI, USA, March 29, 2019.

Soma-Seismic Reverb: The Sounds and Sensations of Shaking Seeds in the Solicitation of Vision. Works in progress lecture series, Department of Philosophy, Michigan State University, East Lansing, MI, USA, Thurs Nov 29, 2018.

Guest faculty talk with Kyle Whyte, Present to Michael O’Rourke’s proseminar class, Department of Philosophy, Michigan State University, East Lansing, MI, USA, Nov 27, 2018.

Murmurations, Frequencies & Mnidoo Knowing. Decolonial/Decolonizing/Anti-colonial Reading Group, Department of Philosophy, Michigan State University, East Lansing, MI, USA, Tues Nov 20, 2018.

Earth-Imaging Aki-Dreaming. Faculty Frybread Forum with the Indigenous Graduate Student Collective, Department of Philosophy, Michigan State University, East Lansing, MI, USA, Thurs Oct 25, 2018.

Mnidoo Harmonics: Paradoxically Enduring & Discontinuous. Colloquium on Indigenous Improvisation: Freedom & Responsibility, co-presented by the St. John's International Sound Symposium, and the International Institute for Critical Studies in Improvisation (IICSI), Memorial University St. John’s, Newfoundland, July 4, 2018.

Round Table with Cris Derksen, Raven Chacon, Trevor Reed, Dylan Robinson, Dolleen Manning and Josh Tucker. Colloquium on Indigenous Improvisation: Freedom & Responsibility, co-presented by the St. John's International Sound Symposium, and the International Institute for Critical Studies in Improvisation (IICSI), Memorial University St. John’s, Newfoundland, July 5, 2018.

Sound App Workshop - participant. Suoni per il Popolo Festival 2018, Institute for the Public Life of Arts and Ideas (IPLAI), and IICSI, McGill University, Montreal, QC, June 8-9, 2018.

Anishinaabe Awakening: Dreams, Visions and Hallucinations. Unsettling Normalcy: A Disability Studies Working Group, Anne McGuire (Equity Studies, New College) & Tanya Titchkosky (Social Justice Education, OISE), University of Toronto, ON, May 14, 2018.Mnidoo-Consciousnessing. Sense Lab: A Laboratory for Thought in Motion, Concordia University, Montreal, QC, April 13, 2018.

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Off the Cuff: Mnidoo Infinity Squeezed through Finite Modulations. International Institute for Critical Studies in Improvisation, Research Studio Session, University of Guelph, ON, April 5, 2018. https://vimeo.com/269363478 (1:22 min).

Phenomenology and Anishinaabe Side-Eye Intuiting. Interdisciplinary Speaker Series, Department of Philosophy, Leacock Building, McGill University, Montreal, QC, March 23, 2018.

Mnidoo Frequencies and Resonant Bodies. Theory class called, Rhythm, Posture and Alignment for Dance (Rypada). Zab Maboungou/Compagnie Danse Nyata Nyata, Montreal, QC, March 19, 2018.

Indigenous Perspectives: Changing Creative Practice, Teaching and Research. Panel with Heidi Senungetuk and Heather Igloliorte, chaired by Beverly Diamond. Decolonizing Arts: A Symposium. Schulich School of Music, McGill University, Montreal, QC, Feb 27, 2018.

Art as Activism/ Activism as Art. Dialogue with Amanda Cachia moderated by Andrew Hunter, Arts Everywhere Festival presented by Musagetes, co-presented by Bodies in Translation and the Institute for Critical Studies in Improvisation, Art Gallery of Guelph, Guelph, ON, Jan 19, 2018.

Shapeshifting: Gifts, Responsibilities, and Citation Practices. Dissertation Public Presentation. Centre for the Study of Theory & Criticism, Indigenous Awareness Week, Indigenous Services, Western University, London, ON, Nov 20, 2017.

The Returners: Seven Conversations. ArtNow Speaker Series, Western, London, ON, Oct 19, 2017.

Seeing with my Side Eye: Reading Merleau-Ponty Adjacent to Anishinaabe Mnidoo Ontologies. The Institute for Gender, Sexuality and Feminist Studies’ Esquisse Speaker Series. First People’s House, McGill University, March 22, 2017.

Artist Talk. Bead & Read. Indigenous Visual Culture Program, OCAD University, Toronto, Feb 25, 2016.

“Indian Giver Panel Discussion.” With Erika Iserhoff, Sage Paul, J’net AyAy Qwa Yak Sheelth, Louise Solomon and Jason Baerg. Moderated by Denise Bolduc. INDIAN GIVER: Truth Telling and Narratives of Representation. Presented by Setsuné Indigenous Fashion Incubator. Gallery 1313, Toronto ON, June 18, 2016. https://www.youtube.com/watch?v=NuSx-EiBwnE

Crossing The 49th Parallel: Indigenous Visual Arts Practice Across North America. Panelists Kent Monkman, Joanna Bigfeather, and Jim Rivera. Moderated by Andrew Hunter. Gardiner Museum, Toronto, Nov 17, 2015.

The Murmuration of Birds: An Ojibwe Ontology of Mnidoo-Worlding. Native Studies Speakers Series. Co-presented by Native Studies/ Philosophy/ Visual Arts, University of Saskatchewan, March 5, 2015.

“Dialogue on Intersectional Feminism.” Brown Bag Lunch with Dolleen Manning and Mary Bunch. Presented by the University of Saskatchewan Student’s Union. Sponsored by Women and Gender Studies, Philosophy, Visual Arts, and Native Studies, Saskatoon, SK, March 5, 2015.

Indian, Native, Aboriginal, Anishinaabe Art in Canada, London Brush & Palette Club, London, ON, May 1, 2013.

Reclaiming Creativity Conference, Aeolian Hall, London ON, Sept 17, 2005.

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Panel Respondent & Moderator Respondent, Humanities Pedagogy Confronting Colonization: A Workshop, Jackman Humanities Institute, University of Toronto, Victoria College, October 12, 2018.

Moderator, Decolonizing Knowledge Production in Gender, Women, and Sexuality Studies. Panel members: Xin Huang and Lina Chhun. 2016 NWSA Annual Conference: Decoloniality. Palais des Congrès, Montreal Quebec, Nov 10, 2016.

Moderator, Indigenous Futurities: Art and Pedagogy. Panel members: Kaia'tanoron Bush, Ana Morningstar Cisneros, Renelyn Quinicot Javier, Meagan Van Capelle. Learning in Times of Struggle, Canadian Association for Studies in Adult Education 2016 Regional Conference & Adult Education and Community Development, OISE / University of Toronto, ON, April 8, 2016.

Community-Based EducationObserver. Indigenous Planning Summer Institute (IPSI), a Tribal organization of the Menominee Nation. One-week summer institute for Indigenous youth and junior staff, directed by Kyle Powys Whyte, Michigan State University, MI, USA. Summer 2019.

Invited Speaker/Workshop Facilitator. The Tribal Climate Camp (TTCC). One-week camp for Indigenous Youth, directed by Kyle Powys Whyte, Michigan State University, MI, USA. Summer 2019.

Round Table: TRANSLATION. The Round Table is an ongoing project of ArtsEverywhere and this particular Round Table on TRANSLATION is a collaboration between Musagetes, and Bodies in Translation. Forthcoming Web-based interactive discussion, Oct 2018.

Worked/Working. A Documented Conversation. Part of Lisa Myers’s Shore Lunch project and a 10-day art festival The Work of Wind: Air, Land, Sea (Sept.14 - 23). Presented by the Blackwood Gallery, University of Toronto Mississauga in partnership with the City of Mississauga. Round table discussion on migrant and Indigenous labour with Lisa Myers, Dolleen Tisawii’ashii Manning, Gabriel Allahdua, and Evelyn Encalada Grez. Southdown Industrial Area Mississauga Ontario, September 16, 2018.

VISUAL ARTS CuratingAazhoodena Umbilical Treaty. A group exhibition in recognition of the 25th anniversary of the slaying of Dudley George and the escalation of Indigenous and state tensions into what has come to be known as the Ipperwash Crisis. McIntosh Gallery, London ON, West Gallery (larger space) Sept 7 - Oct 25, 2020.

Aboriginal Curator in Residence (OAC). Forest City Gallery, London, ON, 2013-14. Realized a series of events related to the art exhibition Gashka’oode (Tangled). Events included: High school talks, six community performances, two workshops, two symposiums and a book launch (details below).

Entanglement: A Symposium. Keynote Gerald McMaster; Performances by Moe Clark (spoken word artist) and big drum Minwaasgay Singers. Symposium & Book Launch of events catalogue Gashka’oode, presented by McIntosh Gallery, Dept. of Visual Arts (Western), Forest City Gallery (London), and Native Women in the Arts (Toronto), Conron Hall, Western University, London, ON, March 14, 2014.

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Moe Cark Workshops “Circle Singing: Vocal Intro,” presented by Native Women in the Arts: Western University, London, ON, Gashka’oode, March 13, 2014.

Traditional Youth Camp, Kiikeewannikaan Healing Lodge, Munsee-Delaware First Nation, ON, Gashka’oode, March 14, 2014.

Gashka’oode (Tangled). Art exhibition featuring artists of Indigenous ancestry: Jason Baerg, Wally Dion, Beverly Doxtator and Amy Malbeuf, Forest City Gallery, London, ON, May 31-June 29, 2013.

Artists/ Curator Talks. Five separate high school classroom talks with Amy Malbeuf, Beverly Doxtator & Dolleen Manning, H.B. Beal Secondary School (40 students combined in attendance) and Saunders Secondary School (approx. 300 students combined), Gashka’oode (Tangled), May 27, 2013.

Community Performance of “Modicum Divine” by Amy Malbeuf at following six locations: Aamjiwnaang First Nation/ Chemical Valley in Sarnia, ON, Gashka’oode (Tangled), May 30, 2013.

N’Amerind Friendship Centre, London, ON, Gashka’oode (Tangled), May 29, 2013.

Saunders Secondary School, London, ON, Gashka’oode (Tangled), May 27, 2013.Three separate performances by Amy Malbeuf (altogether viewed by 1500 students) followed by classroom talks.

H.B. Beal Secondary School, London, ON, Gashka’oode (Tangled), May 27, 2013. One performance by Amy Malbeuf & two separate classroom talks, both by Malbeuf & Manning.

Western Fair Farmers Market, London, ON, Gashka’oode (Tangled), May 25, 2013.

Future Directions in Feminist Phenomenology Conference, followed by curator’s talk by Manning, Western University, London, ON, Gashka’oode (Tangled), May 24, 2013.

Indigeneity, Art & Philosophy Symposium. Featuring: Greg Hill (National Gallery of Canada, Audain Curator of Indigenous Art), Anishinaabe Elder Mona Stonefish, Candace Brunette-Debassige (performer, poet and playwright). Moderated by Luke Nicholas and Dolleen Manning, Museum London, ON, May 31, 2013.

Sage, Dreams, Rock & Roll: The Art of James Luna. Public performative lecture by James Luna. Museum London, ON. Sponsored by Canada Council of the Arts (Visiting Foreign Artist Program), Museum London, Cohen Explorations Program, Dept. of Visual Arts, and First Nations Studies Program, Western University, Jan 19, 2006.

James Luna classroom workshop/ artist talk, reception/ student exhibition, Western University. Sponsored by Canada Council of the Arts (Visiting Foreign Artist Program), Museum London, Cohen Explorations Program, Dept. of Visual Arts, and First Nations Studies Program, Western University, London, ON, Jan 18, 2006.

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Solo Art ExhibitionsUnexploded Ordnance: A Love Note. McIntosh Gallery, Western University, London, ON, Sound Art Installations. Curated by James Patton (East Gallery, smaller space) Sept 7 - Oct 25, 2020.

Pseudonym. Intimate interactive performances, Windsor, Vancouver, Toronto, CAN, 1992-06.

A Succession of Red Hot Moments. Photography, White Water Gallery, North Bay, ON, 1995.

Your Techno-Coloured Lights. Installation, Common Ground Gallery, Windsor, ON, 1994.

Transversal Linkages. Site-specific installations, Capital Theatre, Windsor, ON, 1994.

Echo. Mixed-media Sculptures, Common Ground Gallery, Windsor, ON, 1992.

Selected Group Art ExhibitionsjOKe. Faculty/ Staff Group Show, Art Lab Gallery, Western University, ON, 2005.

Outline in Black. Curators Jamelie Hassan & Jens Thielson, Thielsen Galleries, London, ON, 2004.

Poetics of Exile International Exhibition & Conference. Sound Art, George Fraser Gallery, Auckland University, NZ, 2003.

Discovery Laboratory. Collaboration experiment, The Other Gallery, Banff Art Centre, AB, 2000.

External Recall. Two Person, Tracing Cultures exhibition series, Burnaby Art Gallery, BC, 1997.

Look’ 93. Lambton Regional Gallery, Sarnia, ON, 1993.

London Regional Biannual. London Art and Historical Museums, London, ON, 1993.

Windsor Biannual. Art Gallery of Windsor, Windsor, ON, 1993.

B.F.A. Graduation Exhibition. Lebel Gallery, University of Windsor, Windsor, ON, 1993.

Artist Residencies“Revolutions 2012,” Media and Visual Arts, Banff Centre, AB (Winter) 2011.

“Discovery,” Media and Visual Arts, Banff Centre, AB (Fall) 2000.

TEACHINGHonours and AwardsCohen Explorations Project (Course Award), $5,000 Department of Visual Arts, Western University, London, ON, 2005-06.

External Examiner Quin Smallboy, MFA Thesis, Western University, London, ON, October 18, 2017.

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Courses Designed and Taught Indigenous Peoples of the Americas, INVC 2001, Seminar/studio. Ontario College of Art and Design University, Toronto, ON, Winter, 2016.

Visual Arts & First Nations Studies in Dialogue: Thresholds & Shifting Terrains, FN 3002E, VAS 3393. critical theory and studio practices, Western University, ON, full year (Cross listed) 2008-09.

Foundations of Visual Arts, VAS 020 (Section 006). Visual Arts, Western University, full year 2007-08.

Foundations of Visual Arts, VAS 020 (Section 007). Visual Arts, Western University, ON, Winter 2008.

Drawing Explorations, VAS 104B. Visual Arts, Western University, London, ON, Fall 2007.

Drawing Explorations, VAS 104B. Visual Arts, Western University, London, ON, Winter 2007.

Drawing Explorations, VAS 104A. Visual Arts, Western University, London, ON, Fall 2006.

Transitions, Remainders & Returns: Existence in Suspension, FNS 326F/G, VAS 393A/B, 493A/B. Dept. of Visual Arts & First Nations Studies, Theory & Studio, Western University, ON, 2005-06.

Anishinaabe Theory and Art I & II, FNS 326F/G, VAS 392A/B, 492A/B. Dept. of Visual Arts & First Nations Studies Program, Western University, ON, Critical theory & Studio practices, 2004-05.

Representation/ Misrepresentation, VAS 392B. Visual Arts, Western University, ON, Winter 2004.

Guest LecturesMnidoo Frequency. Indigenous Modernities, Musicology Graduate Seminar, Schulich School of Music, McGill University, Montreal, QC, March 22, 2018.

Anishinaabe Research Methodologies. Research Inquiry, undergraduate course. Institute for Gender, Sexuality and Feminist Studies, McGill University, Montreal, QC, Jan 15, 2018.

Honors Thesis Colloquium Course. Institute for Gender, Sexuality and Feminist Studies, McGill University, Montreal, QC, Feb 22, 2018.

Feminist Research Symposium Graduate Seminar. Institute for Gender, Sexuality and Feminist Studies, McGill University, Montreal, QC, Feb 22, 2018.

World-making Workshop (discussant/respondent). Undergrad Seminar in Social Justice and Activism. Institute for Gender, Sexuality & Feminist Studies, McGill University, Montreal, QC, Nov 14, 2017.  

Material and Phantasmic Bodies (Nov 2), Somnatechnics (Nov 16), and Animacies (Nov 23). Student presentations respondent. Feminism, Embodiment and Difference, Institute for Gender, Sexuality and Feminist Studies, McGill University, Montreal, QC, Nov 2016.

Decolonizing the Future. Sexing the Political Imaginary, Institute for Gender, Sexuality and Feminist Studies, McGill University, Montreal, QC, Feb 18, 2016.

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Indigenous Knowledge, Aboriginal Studies, University of Toronto, ON, Feb 24, 2015.

M.A. Research Seminar, Critical Disability Studies, York University, Toronto, ON, Feb 26, 2014.

Postcolonial Global Studies, Huron University College, Western University, ON, Nov 4, 2010.

Feminism & Race, Women Studies & Feminist Research, Western University, ON, Nov 13, 2010.

Queer Subjects, Women Studies & Feminist Research, Western University, ON, Feb 5, 2009.

Feminist Theory, Women Studies & Feminist Research, Western University, ON, March 18, 2008.

Teachers Education Program, Althouse College, Western University, ON, Jan 16, 2007.

First Nations Studies, Department of Anthropology, Western University, ON, Jan 15, 2005.

First Nations Studies, Department of Anthropology, Western University, ON, March 18, 2004.

SERVICEMentoring and Professional DevelopmentConsult the Experts. Mentor for graduate scholarship applicants, School of Graduate and Postdoctoral Studies, Western University, ON, Oct 2011-2013.

Guest Speaker, First Nations Bridging Program, Lambton College, Sarnia, ON, Sept 15, 2011.

Guest Speaker, First Nations Bridging Program, Lambton College, Sarnia, ON, Jan 15, 2009.

Native Counsellor Training Program, Ontario Native Education Counselling Association, Naughton, 2001.

Conferences and SymposiaQueer Studies Colloquium 2017. Co-organizer. Institute for Gender, Sexuality and Feminist Studies, McGill University, Jan 27, 2017.

Sex Salon Speaker Series. Committee member. Bonham Centre for Sexual Diversity Studies, University of Toronto, 2013-15.

Committees, Councils, and Working GroupsMember, Indigenous Studies Working Group, Michigan State University, East Lansing, MI, 2018/19. 

Member, Indigenous Studies Student Journal Subcommittee, American Indian and Indigenous Studies (AIIS), Michigan State University, East Lansing, MI, USA, 2018/2019.

Member, Research and Academic Compliment Sub-Committee. Provost’s Task Force on Indigenous Studies and Indigenous Education, McGill University, Montreal, QC, 2016-17.

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Member, Native Performance Culture and the Rhythm of (Re)Conciliation: Re-membering Ourselves in Deep Time. Principle Investigator: Jill Carter, Jackman Humanities Institute Working Group, University of Toronto, ON, 2016-18.

Aboriginal Education Council, OCAD University, Sept 2016.

Member, Faculty Council. Faculty of Liberal Arts & School of Interdisciplinary Studies, OCADU, 2016.

Planning Meeting: Decolonization of the Classroom (facilitator); Curriculum Review & Priorities (participant). Faculty of Liberal Arts & School of Interdisciplinary Studies, OCADU, May 11, 2016.

Visual Arts Representative, Arts and Humanities Faculty Council, Western University, ON, 2007-08.

Art Committee Juror Juror (Full citation provided after jury proceedings), Arts Council, (fall) 2018.

Aboriginal Curatorial Projects, Ontario Arts Council, Toronto, ON (winter) 2016.

Sharon Wolfe Artist in Residency, Tangled Art + Disability. Toronto ON, Oct 14, 2016.

Juried Art Show, Judith and Norman Alix Art Gallery (JNAAG), Sarnia, ON (spring) 2013.

First Nations Photography Exhibition, McIntosh Gallery, Western University, London, ON (fall) 2009.

Visual Arts Exhibition, Pride London Festival, London, ON (spring) 2008.

Art Organizations Grant, Canada Arts Council, Ottawa, ON (summer) 2006.

Emerging Artist Grant, Ontario Arts Council, Toronto, ON (spring) 2003.

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