mrbskeys.weebly.com€¦ · created date: 5/19/2013 2:38:13 pm
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Score ARIZONA STWY PROGRAM Teacher#
ADVAA{CED 12 THEORY EXAM 2013
NAME (fint) Oast
l. Write the seventh chords of the g scale-
2. Write the key signatures and name the keys related to Db
relative minor enharmonic major
C# Phrygian E Locrian
4. Write the following cadences. Keep the common tone in the same voice. Use harrnonic form for minor keys.
Move the bass line in contrary motion to the upper voices.
g# Perfect Authentic
5. Match the term to its definition.
Bb Deceptive bb half E Irnperfect Plagal
l0
Db
Picmdy 3rd
aleatorv music
brillante
afnn a I
I .
2.
aJ.
brilliant
absence oftonality
music that gives leeway to the performer
raised third in final tonic chord of a minor piece
(Use harmonic minor) Label each chord with the correct Roman numeral.
r^- \oa
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3. Write the modes.
E- \ .- , ../
ADVANCED 12
Write intervals below the notes.
d5 M7
7. Identi$ the seventh chords by name and quality.
8. Write the seventh chords.
c# diminished 7th2nd inversion
"a
ARIZONA STUDY PROGRAMTHEORY EXAM 2013
m6
d harrnonic minor tonic 7throot position
Page2
6.
A4
9. Modulate from F to b using the diminished 7th chord-
10. Name the period and the country of bffi for each composer-
MUSICAL PEzuOD
Wolfgang Amadeus Mozart
Sergei Rachmaninoff
Domenico Scarlatti
Igor Stravinsky
I tV Io V I4
F:b: viAT N
ab half diminished 7th3rd inversion
COUNTRY OF BIRTH
io V74
t6
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A\o I . r t t^
- lc-t f(] I
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tlftFl r ,f\
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